S E R I E S





P H O T O G R A P H I C 

D R A W I N G S





Untitled 01, 2019
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Untitled 03, 2019
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Untitled 05, 2019
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Untitled 07, 2019
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Untitled 09, 2019
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Untitled 11, 2019
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Untitled 13, 2019
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Untitled 17, 2019
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Untitled 19, 2019
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78 x 150 cm image & mount







Untitled 02, 2019
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Untitled 04, 2019
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Untitled 06, 2019
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Untitled 08 , 2019
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Untitled 10, 2019
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100 x 110 cm image & mount






Untitled 12, 2019
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Untitled 14, 2019
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Untitled 18, 2019
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Untitled 16 ,2019
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D  E  P  O  S  I  T  O  S  
C  R  O  M  A  T  I  C  O  S 







C-print on Diasec
160 x 120 cm image & mount





Pyrrole Red, 2019
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133 x 120 cm image & mount





Celestial Map # 02, 2018
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100 x 133 cm image & mount



Morning Tea, 2019
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Folha, 2019
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To Open, 2019
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Mars Black 01, 2019
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Mars Black 02, 2018
C-print
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Pack #01, 2018
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Earl Grey Tea, 2018
C-print on Diasec
133 x 100 cm image & mount



Celestial Map # 02, 2018
C-print on Diasec
100 x 133 cm image & mount



Pyrrole Red # 03, 2019
C-print on Diasec
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Made In, 20
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Zen, 2018
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Yogi Tea, 2018
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Fluor, 2018
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R  I  S  E



PT

Daniel Mattar usa como base artigos de imprensa que alertam para o aumento da temperatura global e a forma como os ciclos naturais do nosso planeta são afectados por estas alterações.
Toda a acção é desenvolvida numa superfície de 4cm quadrados. Aqui, a tinta e papel são os protagonistas, manipulados, torcidos, conduzidos. Por fim, em total cumplicidade, criam vibrantes ondas de cor, como se fossem pinceladas violentas ou calmos depósitos cromáticos.



EN

Daniel Mattar use press articles that aware us for the raise of global temperatures and for the way our planet’s natural cycles are affected by these changes.
The whole action is developed in a 1,6 square inch surface, in solitude. Here, the ink and paper are the main characters, manipulated, twisted, driven. At last, in full complicity, they create colour waves, as if they were violent brushstrokes or calm chromatic deposits

Composition RISE, 2017 
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135 x 180cm




Trouble, 2018
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+1,5 Cº, 2018
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80 x 80 cm image & mount






Ocean Atlantique, 2018
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Rise, 2018
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45 x 60 cm image & mount



+2 graus, 2018
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Warming Retains, 2018
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Ocean action, 2018
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C-print on Diasec
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Agrees Deal, 2018
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Warming Ocean, 2018
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Tube#08, 2017
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Co2, 2018
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Camouflage MapC-print on diasec
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Turbo Charging, 2018
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P I G M E N T O



PT

Essa série tem origem em uma pesquisa feita por Daniel Mattar com pintura a óleo e abstrações gestuais. Ao fim desse processo, os tubos de tinta usados serviram de material para a fotografia, em que rótulos, manchas e escalas ampliadas fazem um retorno à abstração, objetivo inicial da pesquisa.



EN

A research on oil paint and the abstraction of gestures was the start for this series. Soon afterwards, the paint tubes used served as material for the photographs, in which labels, stains and enlarged scales return to the starting point of the photographer’s research: abstraction.

Tube#01, 2017 
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Tube#03, 2017
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Tube#05,2017
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Tube#07, 2017
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Tube#09, 2017
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Tube#11, 2017
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Tube#13, 2017
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Tube#18, 2017
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Tube#20, 2017
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Tube#02, 2017
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Tube#04, 2017
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Tube#06,2017 
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Tube#08, 2017
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Tube#12, 2017
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Tube#15, 2017
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Tube#19, 2017
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Tube#17, 2017
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